An interesting discussion is taking place in Adam David’s blog concerning Futurism and Philippine Speculative Fiction, most particularly the lack of “homegrown Futurists” amongst Filipino Spec Fic writers. (Adam’s post has a NSFW pic–consider this a warning–but you can find the post here.) As Adam put it:
“[The local Spec Fic scene's] output has been overwhelmingly Nostalgist/Nativist – from MagRealist fables to (if ever) back-to-basics postapocalypses to manananggal-raver mashups to Brockanian urban dystopias – and if ever someone does do a Futurist take on the Philippines, it is almost always politically infantile, its idioms largely borrowed from another culture’s, ie, Hollywood and Wired.”
The post has elicited some interesting responses in the comments section (which is now much longer than the actual post), with comments from Spec Fic writers like Joseph Nacino, Kenneth Yu, Carljoe Javier and Eliza Victoria. Topics discussed in the comments include: clarifying what is meant by “futurism”, how to get writers to write about specific topics, the socio-cultural background of a Filipino SF writer, the nature of editing, and the future of the Digest of Philippine Genre Stories, amongst others.