Today, I continue my interviews with Alternative Alamat contributors, leading up to the release of the anthology TOMORROW. Today’s author should be a familiar name to any reader of Philippine speculative fiction: Eliza Victoria. Eliza was born in 1986. Her fiction and poetry have received prizes in the Carlos Palanca Memorial Awards for Literature and the Philippines Free Press Literary Awards. For additional information, visit her at http://sungazer.wordpress.com.
Without spoiling anything essential, could you tell me a bit about your story?
My story concerns a teenage boy who ends up at a pawnshop owned by a woman named Ana – who turns out to be more than a simple pawnshop owner.
Have you ever had something positive result from getting lost or from losing something?
I’ve lost small items every now and then, but they’re of little to no consequence. Their loss didn’t really teach me anything life-altering. I guess the most recent, significant loss I’ve experienced was when my family lost our store to a fire last year. A year has passed and now my parents have stopped renting space and have bought a new store and got the business going again. The positive result? A realization and later a rock-solid belief that my parents are superheroes, that my family can survive anything, that I have no reason to give in so easily to despair.
And I think there was a time when I got lost in Greenhills and I ended up at a stall that sold the most gorgeous cheap shoes. Haha!
What part of the story–or the writing process–was the most fun for you? What was the most difficult?
I don’t write to answer a call for entries. Normally I just write a story whenever I have the idea and the time, and then send it if it fits a certain publication. I didn’t have a story ready when I read Rocket Kapre’s call for entries to Alternative Alamat, but I was tempted to try to write a story that would fit the anthology. Often, before I begin writing, I already know how the story will flow and how it will end. I didn’t know how “Ana’s Little Pawnshop” would end when I started writing it. I wasn’t even quite sure what it was really about! There were just these two characters talking about sold items. So that was fun, trying to figure out where the characters would take me, but it was also difficult because I had no outline.
I had fun writing in the teenage boy’s voice. I haven’t used the “I” persona in a long while, so that was a wonderful change. I also loved describing Ana’s shop and all its items. I just hope it’s as fun to read as well.
How were you first exposed to Philippine mythology?
I think it’s through this cheap book of myths and legends that I found lying around the house when I was a child. I can’t remember the author or publisher. I saw it as a horror collection. Imagine a child reading about the origin of the pineapple, or how the lizard came to be. Freaky little stories. Most of our legends are stories of tragic transformations, and they mystified me. I loved them.
Is there any myth, epic or legend that you wish would be adapted into a novel, or comic, or movie?
I think it’d be interesting to make a movie about Lam-ang or Bernardo Carpio or Mariang Makiling and set it in the present. Or the future, why not? Lam-ang with a robot chicken. That would be awesome.
Who is your favorite character from Philippine mythology, and why?
Mariang Makiling, because she’s bad-ass.