The nomination phase of the Filipino Readers’ Choice Awards 2013 has finished, and we’re happy to announce that Mythspace #0 was one of the comics that were nominated — thanks to everyone who threw our name in the hat! Now comes the second phase of the awards, the popular vote, which will narrow the field down to a select few semi-finalists, from which the winner of the awards will be chosen.
To this end, we’re making a PDF copy of Mythspace #0 available as free download for the duration of the voting period, which ends on September 6. If you haven’t read Mythspace #0 yet, now’s your chance to do so — and our chance to win your vote, if you’re so inclined. If you’ve already read Mythspace #0 (or Mythspace: Lift Off [Part 1] — the 0 issue is Part 1 plus previews of the other Mythspace titles), then please, spread the word, so others can see if we merit their vote.
All read up? Great! If you like what you’ve seen, you can vote for Mythspace #0 here.You can also purchase Mythspace titles at Comic Odyssey, Robinsons Galleria.
If you’re wondering if it’s worth the download, here are a few of our more favorable reviews:
Koi Carreon’s art is amazing. As I was browsing through the pages the first time, it’s the character design that really stood out. There’s quite a bit of a manga influence in there but the human characters— from the lead character to the secondary characters (especially the secondary characters!)— all look quite Pinoy. In a story dealing with Pinoy myths, that goes a long way when it comes to adding to the overall effectiveness of the piece.
The plotting really works, going from flashback to present day without confusing the reader. The scenes picked enhance the drama of the story without crossing into melodrama. The rebellious teen who is our lead also doesn’t come close to crossing the line into being an unsympathetic character. Chikiamco also manages to provide his life history without sounding like it’s being done for the sake of dumping info onto the reader. In Liftoff as well as in the other stories, we get a sense that this is a fully realized world, with one element resonating with the next.
Second, from EK over at Jumper Cable:
“Collectively the comics are all presented on a professional level rarely seen outside of the Sacred Mountain, Komikero, Gunship Revolution, and Point Zero groups. Some of the best inking and detail work among the recent komiks releases are here — and I’ve just seen partial results. The typesetting for the dialogue balloons are grammar-corrected and nearly faultless. The paneling is also professional, at par with the best of the Western comics.
On the script level, the two presented stories are as unique from each other as adobo and sinigang, even if they are made by the same cook. Be assured that there is much variety expected among the six presented stories, that it would not be boring even if they were all from the same writer. Both given stories are paced without a glitch, with a clear understanding of writing in general and the comic medium in particular. The author’s hand in the development process is also visible. There is almost no useless panel, and it is clear that the illustrators understand what to illustrate and how.”
Third, from from Francis at Hawkersmag.com:
“Just enough information is given about the main character, Ambrosio, leaving a lot of room for speculation and anticipation of what’s to come.
Although I tend to stray a bit away from angst-ridden teenagers, reasons for Ambrosio’s anger are justified, and it would be interesting to see how his character has changed now that his whole worldview has turned itself over.
There is scarce dialogue, which makes for very efficient story-telling. Chikiamco’s dialogue does what it is intended to do: move the plot forward and reveal character. It doesn’t get in the way of the action and suspense that spills throughout the pages, and that’s a very good thing when it comes to pacing.”
And last but not least, from Tina Matanguihan, from One More Page, where she gave it it 5 out of 5 stars! Here’s an excerpt:
This new series plays on the idea that the creatures we know from folk tales and movies not simply monsters from our grandparents’ stories, but you know, creatures from outer space. Sounds crazy, yes?
But you know what? It actually works.
I also liked reading the previews for the two longest stories there, with Liftoff having that mystery-in-space type of story with a somewhat angst-ridden hero, and Unfurling of Wings reminding me so much of the chimaera world in Laini Taylor’s Daughter of Smoke and Bone.