Archive for the ‘Slider’ Category

Demons of the New Year is now live

Posted by Paolo Chikiamco On March - 24 - 2010

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The latest online spec fic anthology from Estranghero Press has now gone live. Go check it out! From the site:

These are the Filipino horrors: the garden-variety demons from hell with plastic forks and spongy tails, the ones in your head that come out to play at midnight, the spirits that make up most of your lives like a Frankenstein monster. We’re letting out all of these things that haunt our days in 2010.

“Demons of the New Year: Horror from the Philippines, edited by Joseph Nacino & Karl de Mesa” is published electronically to make this collection of stories available to a wider international audience. Through this anthology we will be able to show the world that the Filipino writer can create horrors that can scare with the best of them.


3rd PGFA: What Neil Read

Posted by Paolo Chikiamco On March - 18 - 2010

Neil Gaiman read two poems at the 3rd Philippine Graphic/Fiction Awards last March 17 (because, as he said, who was going to stop him?) and, while I was a fair distance away from the man, I think I managed to capture his twin performances adequately–even if my Vado was at the most minimal setting. Surprisingly, my Internet cooperated, so I’m posting these videos tonight instead of tomorrow.

First up, Neil read his poem “Locks”, which he said could be found in the Smoke and Mirrors anthology. You can also read it online at the Journal of Mythic Arts archive here.

Second, Neil treated the crowd to a reading of an unpublished (!) poem, which he says he finished only weeks ago. The title of the poem is “In Relig Odhráin” (you can spell that as “Oran” and it seems to be pronounced as “Orrin”) or, in modern English, “Saint Odhráin’s Graveyard”. He says that the poem was inspired by an old legend from Scotland–I did a bit of digging, and I found a page which details several versions of the legend, as well as a site with a picture of the actual chapel.

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3rd PGFA: What Neil Said

Posted by Paolo Chikiamco On March - 18 - 2010

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No, I don’t mean at the press conference–you can head over to Azrael’s for some coverage–but during the event itself, where he commented about each of the winning entries (in the main contest, not the people’s choice). Again, I wasn’t there for the film category, but here’s what he said about the winners for prose and comics (because you can never have enough reminders that Neil Gaiman called your story “glorious” ^_^):

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Prose

(Bibliophile Stalker has sound files of Neil’s commentary on the prose winners here.)

Cherry Clubbing by Kenneth Yu: “… the voice is really really good, and its really, seriously nasty. It’s the only story that I’ve ever read in which half way through sort of the first page I thought ‘Oh I got it. He’s a pedophile!’ And then I realize no, no, no… it’s so much worse than that. But it’s a beautiful little story… the way the story is told is as important as the content. It’s very good, very, very imaginative.”

Remembrance by Dean Alfar: “…it’s a story about death, and what we take with us when we die. Beautifully written, haunting, managing at exactly the same time to be both incredibly depressing and incredibly uplifting. The combination of these two things at once is what made it as a story for me.”

Filipina: The Super Maid by Irene Carolina A. Sarmiento: “…as those people who voted for it would know… it’s funny and it’s angry… nice, solid, futuristic science fiction that is fundamentally a satire of things going on today. And it’s great. A lovely piece of work.”

A Kind of Flotsam by Christelle Rhodamae Mariano: “Every now and then you think that you’ve seen it all, and a staple of science fiction is telepathy… What’s glorious about A Kind of Flotsam is that it’s the story of a the life of someone either blessed or cursed with telepathy. And she says something new. It’s really very, very beautiful, very, very moving, and I think at the end… there’s a moment which for me, I thought was glorious: that what unites us in the end is connection, the ability to hold out, to reach out, and eventually touch. Beautifully done, and very, very much a deserving first place winner.”

Comics

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RRT: Fiction Without the Speculation

Posted by Paolo Chikiamco On March - 9 - 2010

It’s officially Palanca Awards season again, writers from all genres and walks of life are  gearing up for two months of feverish writing (or hand-wringing). While works of speculative fiction can and have won the Palanca, it’s hard to shake the impression that the prestigious body (and ever changing panel of judges) is more receptive to stories of love lost and regained, when the method of “regaining” that love doesn’t involve the dark art of necromancy. Thinking about a submission for the Palanca Awards is about the only time I even consider writing a story without speculative elements, and it’s always been difficult for me to shift gears. With the 2010 awards opening for submissions this month, I became curious as to how other speculative fiction writers go about writing non-specfic pieces–which meant I finally had an excuse to start the second Rocket Round Table:

How different is your experience writing a story without speculative fiction elements, as opposed to writing Spec Fic?

Yeah, I know, it doesn’t exactly roll off the tongue does it? On to the answers then, and many thanks to the authors who found the time to sate my curiosity.

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MARIANNE VILLANUEVA [Blog]

==Marianne is the author of several short story collections, and has been a finalist for the Philippines’ National Book Award. She teaches creative writing for the UCLA Extension Writers Program, and her latest short story collection, “The Lost Language”, was released by Anvil last year.==

Very interesting question!

I’m not a writer of speculative fiction, but I do like to “play” in the genre occasionally –  as I also like to play in the “crime” genre, or poetry, or anything.  Because experimenting is what keeps writing fun!

It always starts, for me, with an emotional trigger.  It’s when I find I can’t end my story properly that I start turning to more non-traditional elements.  Then I go back and start again, but with the non-traditional elements as a fixed part of the story.  Then I see if I can finish it.

So, it’s always how to end that bothers me.  And I’ll try anything, ANYTHING, to see how I can get to the end.  And if I have to throw in some speculative fiction elements along the way, so be it.

ADAM DAVID [Blog]

==Adam is an indie publisher, published author, opinionated blogger. He was recently awarded the Madrigal Gonzalez Best First Book Award for his book, The El Bimbo Variation==.

Nothing really significant as far as authorial mindset is concerned. I used the same amount of braincells when I wrote *snip* as when I’m writing my 365 Stories book, the same amount when I wrote the El Bimbo Variations when I’m writing my terribly irregular essays on komix kritisism. The language is different in various levels, as well as in their little textual effects and affectations, but all those things are only merely decoration – or at their highest level, gilding – for the real substance of the thing, which never changes no matter the medium, whether audience or producer, critic or buyer: art is something you work on.

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Eastern Issue at Crossed Genres: Call for Submission

Posted by Paolo Chikiamco On March - 4 - 2010

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Just a quick note: Crossed Genres has currently opened for submissions to their Eastern-themed issue, which they’re loosely defining as any story set in an Eastern culture. Seeing as we are the Pearl of the Orient and all, I thought this would be right up the alley of most of our authors, so do try and send something to Crossed Genres before the end of March. Don’t forget to check out the submission guidelines first though.

Project 20:10 – Carlo Vergara on Character Creation

Posted by Paolo Chikiamco On February - 26 - 2010

Here’s the fourth of the talks given last January 30, 2010,  during the character creation workshop at the official launch of Project 20:10 at the Ateneo High School Fair. Carlo Vergara, the creator of the phenomenal Zsazsa Zaturnnah,  should be a household name to fans of komiks, or fans of utter hilarity. In this video, he speaks of how he created the characters and the story of Zsazsa, which was eventually adapted into both a musical and a movie.

Part 2 under the cut.

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Project 20:10 – Kenneth Yu on Character Creation

Posted by Paolo Chikiamco On February - 23 - 2010

Here’s the third of the talks given last January 30, 2010,  during the character creation workshop at the official launch of Project 20:10 at the Ateneo High School Fair. Here, Kenneth Yu gives his own take on what makes for a good paranormal character, and the importance of finding a unique perspective to tell your story.

Second part after the cut: Read the rest of this entry »

3rd Philippine Graphic/Fiction Awards: Shortlists

Posted by Paolo Chikiamco On February - 19 - 2010

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As mentioned on the Philippine Genre Stories blog, Fully Booked, in cooperation with Pelicola, has published the stories, comics, and films which made it to the respective shortlists of the 3rd Philippine Graphic/Fiction Awards.  While I assume the respective winners have already been selected, you can help determine the winners of the People’s Choice Award in each category by voting for your favorite at the links above. Congratulations to all those who made the short list!

For your convenience,  here’s the shortlist in each category:

PROSE SHORTLIST:

1. Babymakers by Laura Jermina R. Abejo
2. Leg Men by Dominique Gerald Cimafranca
3. Cherry Clubbing by Kenneth Yu
4. The Sweet Stranger by Michael A.R. Co
5. A Kind of Flotsam by Christelle Rhodamae Mariano
6. Won’t You Be My Friend, Mr. Faceless Creature of Evil? by Karlos de Mesa
7. The Street Child and the Dwarf by Diabelle Joy M. Pazcoguin
8. Filipina: The Super Maid by Irene Carolina A. Sarmiento
9. Remembrance by Dean Alfar
10. Pursuit of the Litaniera by Elyrose G. Punsalan

(Comics and Film categories after the cut)

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Demons of the New Year: TOC Announced

Posted by Paolo Chikiamco On February - 13 - 2010

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Short post to spread the word that Estranghero Press has announced the table of contents for their Demons of the New Year anthology. Amongst the select few are Ruin and Resolve contributors Catherine Batac Walder and Eliza Victoria. Congratulations to all the writers, and to co-editors Joseph Nacino and Karl de Mesa.

Chained Links: 11 February 2010

Posted by Paolo Chikiamco On February - 11 - 2010

Writing (and Writer) News:

  • Dominique Cimafranca shares his presentation on Online Literature for the Tabaoan Writers Conference (yes, he does mentions us ^_^). The conference is ongoing at the moment, so do check Dom’s blog for coverage (he has Day 0 and Day 1 impressions up on his site.)
  • Speaking of writers getting together, Ian Rosales Casocot has posted a call for submission of manuscripts to the 49th Silliman University National Writers Workshop.
  • Ruin and Resolve contributor Catherine Batac Walder tells us she’s got a story out in this week’s Philippine Graphic. It’s entitled “Hey Soldier”. Congrats Catherine!
  • In further congratulatory news, I’ve read that (via macoy’s blog) it seems that Gio Paredes’ Kalayaan indie superhero series might see some U.S. distribution.
  • Via Yvette Tan’s, we’ve learned of Filipino Scares, a tumblr site with short (flash-length) horror stories.
  • Over at the Philippine Genre Stories blog, Kenneth Yu has a post on ongoing local writing competitions, and another on a workshop for online writing from Luis Katigbak (the first is on the 15th).
  • Kenneth also informs us that the launch of Philippine Speculative Fiction Vol. V will take place on April 24, 2010, 3 p.m. at the UView Theatre of Fully Booked at Bonifacio Global City.

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Events:

  • For those looking for a twist on typical Valentine’s fare, science writer and curator of the upcoming Mind Museum (and friend of the site) Ms. Maria Isabel Garcia dropped us a line to let us know of When Love Falls an evening of love and science on February 12, where psycho-analyst Dr. Agnes Bueno will discuss love gone awry. You can see the poster here.
  • I think we’ve mentioned it before, but let me remind everyone that KomiksTrip, the first UPLB comics convention, is taking place on February 13.
  • Speaking of comics, the Renaissance Project, a comics/komiks event for the benefit of Filipino artists who have fallen on hard times, seems to be pushing through on February 20 21 at the SM Megamall Megatrade hall.

Reviews:

  • Some reviews of interest over at Metakritiko (which I’ll be leaving soon, unfortunately. Although I’m sure you’ll all be pleased with the new man at the helm ^_^). I take on Lola by J. Torres and Elbert Or  (it’s also been reviewed by Ruel de Vera)
  • Also on Metakritiko, Fidelis Tan reviews Underpass. You can actually read her favorite story of the lot (by the Trese pair of Budjette Tan and Kajo Baldisimo here or here). Also on the channel, Mighty Rasing reviews Legion and Marrianne Ubalde praises Kapitan Sino.

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About Me

Rocket Kapre is an imprint of Eight Ray Sun Publishing Inc. (a new Philippine-based publisher), dedicated to bringing the very best of Philippine Speculative Fiction in English to a worldwide audience by means of digital distribution. More info can be found at our About section at the top of the page.

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