Rocket Kapre – Fantastic Filipino Speculative Fiction

Over at his Oblique Strategies website (if you go surfing the rest of the site, note that some posts are NSFW), Adam David is conducting a survey to learn more about the local female comic book reader and her relation to komiks culture. Head on over and comment if you’re a graphic novel geek of the girl kind. Here are the questions, but comment over at Adam’s post:

In the spirit of Hope Larson’s own survey on (American) girls’ comic book reading habits, I’m planning on embarking on a new komix writing thing – criticism and creative – and I wanted to ask a few questions specifically for the girls in the audience (if there are any), but if any of you girly guys want to answer the questions, I’d see it as a great kindness. Feel free to pass these questions around, as long as we get the feedback from it.

1) What comic books do you read, both local and foreign?

2) Do you enjoy reading these comic books? Why exactly do you enjoy reading them?

3) Do you read any comic books that you think are specifically targeted to girls? Which books are they? Why do/don’t you like them?

3) Who are your favourite comic book creators, both local and foreign, both male and female?

4) Why do you like them? Which of their books are your favourites, and why?

5) As a girl, would/could you say that the current system of local komix production – the books, the creators, the stores, the conventions – is friendly towards females? Why/Why not?

6) As a girl, do you want to make your own komix? Would/Could you make it specifically for girls? How would/could you go about doing that?

7) Would you like to see more local komix focussed primarily for girls?

What else would you like to see more of in local komix?

9) What would you like to see less of in local komix?

10) Where do you think the current local komix production is heading re: komix for girls?

If there’s one theme that I’d say unites many of the stories in this year’s RP612fic, it’s this: a need for catharsis. We’re coming off a decade under an unpopular President, and while many are hopeful for the coming administration, there still remains a lot of unsettled issues, a lot of unpsent anger. Luckily, catharsis is one of the functions that fiction can undertake in the life of both writers and readers, and I hope that participating in this year’s Independence Day micro story tweet fest helped a few of us get ready for the new challenges that face us, while helping us remember what has come before.

I’d like to thank everyone who participated, especially Dominique Cimafranca who was impressively prolific during the RP612fic period. We generated over one hundred and fifteen stories over the Independence Day weekend–here are a few of my favorite stories:

I’d also be remiss if I didn’t point to Adam David’s essay on freedom, over at the Philippine Online Chronicles.

The rest of the stories run the gamut from science fiction, to horror, to fantasy (from the fantasy that means “magic” to the fantasy that means “how I wish this were true). Some are meant to be read alone, others in sequence (although there was a limit to how I could arrange them in anything but the reverse chronological order of a Twitter search.) Some aren’t stories in so much as hopes, dreams, or ideas and that’s fine too.The usual disclaimer applies: these stories are meant as fiction, and are not to be taken as allegations of actual facts, nor as statements of actual intent.

And now, beneath the cut, are the rest of the stories. (2009’s stories are here.) Enjoy, and see you all next year!

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The website is still a work in progress, but Charles Tan, of the Bibliophile Stalker blog and a few hundred (minor exaggeration) others,  has announced that the ebook version of his new reprint anthology, “The Best of Philippine Speculative Fiction 2009″ is now available for free download. You can choose from either the PDF edition or the EPUB edition. (If you have the Stanza desktop ebook reader you can export the EPUB file to different file formats–say, if you want a .mobi file for your Kindle/Kindle reader, although such conversions usually junk the formatting). The anthology has cover art Elbert Or, a cover design by Adam David, (who also did the PDF layout and design) qith the Web and EPUB layout handled by Dominique Gerald Cimafranca.

Sixteen stories from fifteen authors, selected by one of the most well-read and difficult-to-please critics in the country–all for free? What are you waiting for?

Charles is the co-editor (alongside Mia Tijam) of the Philippine Speculative Fiction Sampler, which was released in 2008.  I hope that this is the start of an annual compilation (and I hope that this isn’t the only yer a story of mine qualifies ^_^)

Here’s the full table of contents. Congratulations to Charles and all those involved:

• Summation 2009 by Charles Tan
• The Fires of the Sun in a Crystalline Sky by Francezca C. Kwe
• The Day the World Lost Its Gravity by Camsy Ocumen
• Strange Weather by Dean Francis Alfar
• The Sewing Project by Apol Lejano-Massebieau
• Lex Talionis by Paolo Chikiamco
• Isa by Marianne Villanueva
• Spelling Normal by Mia Tijam
• Daddy by Yvette Tan
• From Abecediarya by Adam David
• The Annotated Account of Tholomew Mestich by Elyss G. Punsalan
• Beats by Kenneth Yu
• Wildwater by Crystal Koo
• Moondown and Fugue by Alexander Drilon
• The Maiden’s Song by Kate Aton-Osias
• Capture by Gabriela Lee
• The Secret Origin of Spin-man by Andrew Drilon

Guess who has a new day job? With Carljoe taking over the reigns at Metakritiko, the Philippine Online Chronicles decided to give me an entirely new section to edit, which just launched today. It’s called Pinoy Pop, and while I could try to explain what that means here (or what I’ve decided it means at least), that’d be a waste of the handy introductory column I made. Suffice it to say it’ll be covering a lot of stuff that Rocket Kapre readers will find interesting – for instance,would you like a rundown of the promotions and freebies for today’s Free Comic Book Day? You can find that here.

Also, with the release of Iron Man 2 yesterday, Free Comic Book Day today, and I-will-be-your-hero-if-you-vote-for-me Day next week, we’ll be doing a lot of superhero focused articles in the coming week (let’s call it Spandex Week), with articles about their origins, rationale, and how Filipinos relate to them. We’ve also got some thoughts on the use of armor in science fiction and fantasy, as well as a review of superhero komik Bayan Knights.

I’ve got a few familiar Spec Fic writers on the team as well -  Eliza Victoria will be contributing an article on her introduction (initiation?) into tabletop gaming, Carljoe will be contributing articles on comics and an Iron Man 2 review, and Adam David will be doing komiks reviews. Speaking of komiks, I’ll also have an interview with the much respected Mr. Gerry Alanguilan, on the need for komiks criticism, while komiks creator Macoy gives us a perspective of life at the indie tables during the Summer Komikon.

I’m excited to be working with these wonderful individuals, and covering the fantastic, fun, geeky stuff we all know and love. I hope you can make us a part of your daily reading habit. ^_^ And please, if you have a story you think we should be covering, do let us know!

It’s officially Palanca Awards season again, writers from all genres and walks of life are  gearing up for two months of feverish writing (or hand-wringing). While works of speculative fiction can and have won the Palanca, it’s hard to shake the impression that the prestigious body (and ever changing panel of judges) is more receptive to stories of love lost and regained, when the method of “regaining” that love doesn’t involve the dark art of necromancy. Thinking about a submission for the Palanca Awards is about the only time I even consider writing a story without speculative elements, and it’s always been difficult for me to shift gears. With the 2010 awards opening for submissions this month, I became curious as to how other speculative fiction writers go about writing non-specfic pieces–which meant I finally had an excuse to start the second Rocket Round Table:

How different is your experience writing a story without speculative fiction elements, as opposed to writing Spec Fic?

Yeah, I know, it doesn’t exactly roll off the tongue does it? On to the answers then, and many thanks to the authors who found the time to sate my curiosity.

MARIANNE VILLANUEVA [Blog]

==Marianne is the author of several short story collections, and has been a finalist for the Philippines’ National Book Award. She teaches creative writing for the UCLA Extension Writers Program, and her latest short story collection, “The Lost Language”, was released by Anvil last year.==

Very interesting question!

I’m not a writer of speculative fiction, but I do like to “play” in the genre occasionally –  as I also like to play in the “crime” genre, or poetry, or anything.  Because experimenting is what keeps writing fun!

It always starts, for me, with an emotional trigger.  It’s when I find I can’t end my story properly that I start turning to more non-traditional elements.  Then I go back and start again, but with the non-traditional elements as a fixed part of the story.  Then I see if I can finish it.

So, it’s always how to end that bothers me.  And I’ll try anything, ANYTHING, to see how I can get to the end.  And if I have to throw in some speculative fiction elements along the way, so be it.

ADAM DAVID [Blog]

==Adam is an indie publisher, published author, opinionated blogger. He was recently awarded the Madrigal Gonzalez Best First Book Award for his book, The El Bimbo Variation==.

Nothing really significant as far as authorial mindset is concerned. I used the same amount of braincells when I wrote *snip* as when I’m writing my 365 Stories book, the same amount when I wrote the El Bimbo Variations when I’m writing my terribly irregular essays on komix kritisism. The language is different in various levels, as well as in their little textual effects and affectations, but all those things are only merely decoration – or at their highest level, gilding – for the real substance of the thing, which never changes no matter the medium, whether audience or producer, critic or buyer: art is something you work on.

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An interesting discussion is taking place in Adam David’s blog concerning Futurism and Philippine Speculative Fiction, most particularly the lack of “homegrown Futurists” amongst Filipino Spec Fic writers. (Adam’s post has a NSFW pic–consider this a warning–but you can find the post here.) As Adam put it:

“[The local Spec Fic scene's] output has been overwhelmingly Nostalgist/Nativist – from MagRealist fables to (if ever) back-to-basics postapocalypses to manananggal-raver mashups to Brockanian urban dystopias – and if ever someone does do a Futurist take on the Philippines, it is almost always politically infantile, its idioms largely borrowed from another culture’s, ie, Hollywood and Wired.”

The post has elicited some interesting responses in the comments section (which is now much longer than the actual post), with comments from Spec Fic writers like Joseph Nacino, Kenneth Yu, Carljoe Javier and Eliza Victoria. Topics discussed in the comments include: clarifying what is meant by “futurism”, how to get writers to write about specific topics, the socio-cultural background of a Filipino SF writer, the nature of editing, and the future of the Digest of Philippine Genre Stories, amongst others.

(Image source: Behold the cow of the future by thewamphyri CC Attribution-Noncommercial-No Derivative Works 2.0 Generic)

Let’s start off December with another link roundup of news that might be of interest to readers and writers of Philippine Spec Fic:

• Ateneo University Press is having a booksale (via Philippine Genre Stories)
• The 2nd San Pablo City Comics Festival will be held this Sunday (via Azrael’s Merryland)
• Adam David reviews El Indio (via thePOC.net)
• Carlo Vergara wants More Pinoy Graphic Novels (and dishes out some advice for budding creators who want to do just that) (via The Carver’s House)
• On the other hand, Dennis Villegas asks Nasaan na ang mga Komiks?
• “The Ascension of Our Lady Boy” by Mia Tijam is now up on Expanded Horizons
• The Philippine Daily Inquirer has an article on a book covering “The First One Hundred Years of Philippine Comics” (via Komikero)
• Carljoe Javier makes it on to Playboy’s Top Five Wordsmiths Worth Watching in 2010 (via Ballad of the Comeback Kid)

The UP Institute of Creative Writing and the Madrigal-Gonzalez family have just announced the nominees for the Madrigal-Gonzalez Best First Book Award for 2009, and we’re pleased to see recognition to the first Trese graphic novel (by Budjette Tan and Kajo Baldisimo), Murder on Balete Drive…  albeit the announcement/post up on Panitikan.com.ph seems to imply that it was not an easy decision (or at the very least whatever committee decided this knew that it might be taking some heat):

This year’s selection mirrors the changing landscape of Philippine literature as it includes the bestselling graphic novel Trese, a collaboration between Tan and Baldisimo—a possibly controversial inclusion among purist circles.

Also up for the award is Spec Fic author (well, more like “Boundaries? What boundaries?” author) Adam David’s “The El Bimbo Variations.” From Adam’s twitter feed, it also appears that this is also the first time a self-published book has been nominated. Changing landscape of Philippine literature indeed…

Congrats to Budjette, Kajo and Adam, as well as all the other nominees. You can see the full list here.

Things were a bit crazy for the past week, but here’s a round-up of recent news that you guys might find interesting:

• The deadline of the Pinoy Story Writing Contest has been extended to October 17;
• Pinoy Transgressive, a website devoted to the publication and promotion of “transgressive literature” has launched, with words by Carljoe Javier, Jonathan Jimena Siason, Karl de Mesa, Marguerite Alcazaren de Leon, and Norman Wilwayco;
• Spec (and all-things-experimental) Fic author Adam David has been nominated in the National Book Awards in the Best Book Design category;
• The Bookbabble podcast interviewed Filipina Spec Fic author Crystal Koo.
• Underpass, a new graphic novel anthology from industry heavyweights such as Gerry Alanguilan, David Hontiveros, Ian Sta. Maria, Budjette Tan, Kajo Baldisimo, and Oliver Pulumbarit will make its debut at the Komikon. You can also check out a list of other komiks launching at komikon at the Komikero blog;
• In other komiks news, Trese #3 has been printed and should be in the grubby hands of pre-ordering fanatics (like myself) some time this week;
• Wired points out some functions which will not be present in the International Kindle (if used outside of the US from what I gather);
• John Scalzi is running a quick writing contest on his AMC blog;
• Via technovelgy, we’ve got word that parts of The Periodic Table of Science Fiction (a collection of 118 rather short stories by Michael Swanwick) are now online.
• I’ve also received word via Yvette Tan’s Twitter that the special Horror Issue of Philippine Genre Stories (which she guest edits) is ready, although the Charles Tan informs us that the issue doesn’t appear to be out in the wild yet. Hopefully the news at least means that the release is imminent;
• Speaking of Yvette, her story “Seek Ye Whore,” which came out in Rogue magazine’s July 2008 issue was long listed in Ellen Datlow’s new annual horror anthology. She’s also guest-editor at UNO Magazine (a men’s magazine so searching it out may be NSFW) this month, has an interview at the FHM (also a men’s magazine) website and has a feature on “”Waking the Dead” in Garage magazine. She does get around doesn’t she? ^_^
• EDIT: Whoops almost forgot this–we can expect a new book on Philippine Folklore (can never have enough of those) soon, as the book proposal of Dianne de las Casas and Zarah Gagatiga was approved.