This post is a part of our story-by-story review of Philippine Speculative Fiction volume 6. You can see the introductory post, and our disclaimers here. Bold font is Mia Tijam, everything else is Paolo Chikiamco.
The traditional (think Golden/Silver Age) superhero story is one of those story types that draws from a small pool of highly recognizable elements, and requires a very healthy suspension of disbelief.
— sigh, I wish we weren’t gonna do this to this one… but hell yeah, especially if the reader were me, ayayay
That’s not to say that I don’t think you can write a good, straight-up one–Lou Anders’ “Masked” anthology has a few–but simply that few writers make that attempt. It’s tough, like writing a straight-up humor piece.]
— An attempt at a straight-up humor piece about superheroes and villains = ridiculous and funny reality. Right.
I think that it’s this combination of factors that makes it so common in contemporary literature/media to see attempts at deconstructing the genre and its tropes. In movies, this frequently takes the form of light-hearted parodies (Megamind, Despicable Me) where the ridiculous nature of many of the genre’s tropes are used for comedic effect (even works that aren’t straight up parodies take pains to draw a line between what works in a 1940s Batman comic, and what would work “in real life”–see the treatment of capes in The Incredibles).